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The 2017 April Edition

Ray Stevens is April Cool, No Joke

I had a lot of fun interviewing country music and comedy legend Ray Stevens for the Ledger about his new Ray Stevens CabaRay Showroom, which will be the first major entertainment complex in the Bellevue suburb located on the west side of Nashville.

Ray has a great sense of humor – obviously – and was very easy to talk to as he gave me and Ledger photographer Michelle Morrow a nickel tour of the construction site in mid-March.

The package of articles are in the March 31-April 7 print edition of the Nashville business weekly, and you can pick up a copy at one of these locations. Or it can be read online at westviewonline.com. You can also read more in the right-hand column on this page. The multi-million-dollar CabaRay Showroom will be opening in late summer, likely August.

CABARAY NASHVILLE REVIEW: Ray Stevens also has a companion television show – Ray Stevens CabaRay Nashville – which airs on PBS stations (check your local stations). Here’s a review I did of that show (I attended a taping in December) for the Ledger. …

A bright red piano sits in the back corner of the stage, awaiting its master. Three beautiful background singers stand behind their microphones, the picture of harmony. Members of the house band — dressed in matching black tuxedos — are poised to play. The golden-throated announcer, wearing a white tux jacket, smiles and steps to his mic.

It’s like I’ve traveled back in time and am in Las Vegas, attending a show in the Celebrity Room at the Desert Inn. In reality, I’m sitting at a cramped table with friends at a Music Row studio for a taping of Ray Stevens CabaRay Nashville, a half-hour, syndicated television show that airs on PBS stations across the country, including WNPT on Saturdays at 6:30 p.m.

Three, two, one. Lights, camera, action!

“From the Ray Stevens studios in the heart of Music Row in Music City USA, welcome to …,” says announcer Bill Cody, who is better known as WSM Radio’s Disc Jockey Hall of Fame morning personality.

And then bouncing onto the stage is our host for the evening, Ray Stevens, who flawlessly launches into one of his classic country comedy songs, tells a joke or two and takes command of his audience.

And while the Ray Stevens CabaRay Nashville show and the set definitely have that old-school Las Vegas feel of that Celebrity Room where Stevens used to perform, this is all Nashville glitz and glamor.

“Ray’s ability to cross — more than anybody else — generational and musical boundaries is what makes the show work so well,” Cody said. “Ray has known and worked with a variety of artists in a career in that spans decades. And he brings that to the show.”

The show is a light-hearted, nostalgic mash-up of Stevens’ music and comedy along mixed in with interviews and performances by big-name Music City guests. His season one guests included the likes of  Steve Wariner, Larry Gatlin, Bobby Bare, Tanya Tucker and Don Schlitz, among others.

Two seasons’ worth of shows were taped at Stevens’ Music Row studios (I attended one with friends in December), but production will move to Bellevue after his CabaRay Showroom opens in late summer. The vastly larger venue will allow more people to attend and improve production quality for the show, which in turn will help bring tourists to Nashville to see a full-scale live show.

The next CabaRay Nashville tapings will, however, take place at the Music Row studio on June 26-30. Fans can attend by going to this website: http://raystevens.com/ray-invites-you-to-the-taping-of-ray-stevens-nashville/

UPCOMING EVENTS: As spring arrives in full bloom, there are always several events I like to attend.

I was excited to receive notification the other day that my short screenplay “Death Takes a Holliday” was named a semifinalist in two categories of the 2017 Nashville Film Festival.

Unfortunately, I didn’t make the top three finals in either category, but I will take semifinalist recognition any day. There were over 1,300 entries in the Festival’s screenwriting competition.

If the name of my screenplay sounds familiar, it should. I wrote a short story a few years ago and it was published in Weird Western Yarns (sorry, it’s now out of print; to the left was the ebook cover). Everyone said it would make a great movie, so I did the screenplay and sent it in last June. Perhaps you’ll be able to see it on screen someday.

This year’s Nashville Film Festival will take place April 20-29 at both Regal Hollywood 27 at 100 Oaks Mall after a long stint at Regal’s Green Hills Cinema. The new venue should bring even greater exposure to on of the city’s premier cinematic events.

Another major event is the Franklin Main Street Festival, where I will be manning a booth with other local authors including Bill Peach, Michael J. Tucker, Kathy Rhodes, Joseph Clay, Mike Tucker, Tim & Debbie Bishop, Bill Holley, D. G. Driver, Reba Stanley, Pattie J. Keith and Louise Colln. It takes place April 29-30 in Franklin Please stop and say hello, and support local authors.

As always, thanks for reading.

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61 thoughts on “The 2017 April Edition

  1. From Kathi Ford:
    As a new subscriber to the CFR newsletter I have read with interest your country legends of the past articles. My mother’s scrapbook is full of clippings from the late 1940’s about Elton Britt. What can you tell me about him?
    And Tom’s reply:
    Hope you’re enjoying the CFR newsletter, Kathi. Gotta admit I’m more familiar with Elton John than Elton Britt. But I will do an article on the legend of Mr. Britt in the near future. Thanks for bringing him to my attention.

  2. Can you tell me how to get a CD of Archie Campbell’s
    “Rindercella”? We enjoyed hearing that so much on
    Hee Haw.

    • Hi Wilma,
      Check out Ernest Tubb Record Shop’s online store, maybe the Time-Life Hee Haw series or check with the CFR News publishers at 615-673-2846.
      Thanks for reading.
      Tom

  3. I got this note the other day from reader/author Turner French, thought I’d share:

    When I picked up Vendetta Stone, I didn’t realized I’d signed up for an all-nighter! Great characterization and plotting kept me awake until the end. It was a stone-cold good book!
    Warning: don’t pick up this novel and expect to be able to put it down until the last page. To paraphrase from your work, “Thou shalt not pass up this great read.”

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